Art of the Song / Standing "O" Podcast

Our guest this week on the Art of the Song Mid-Week Coffee Break is Los Angeles-based badass singer/songwriter Ali Handal.

Moved early on by wise and resilient women, singer/songwriter Ali Handal wore out the Tapestry album. As a cat-obsessed six-year-old (some things never change), Ali honored her initial musical heroine by naming her very first kitten “Carole.” Over the years, the sweet melodies and lyrics penned by musical sages King, Dylan, Lennon and McCartney captivated her. She had an epiphany when, as a teenager, she heard Led Zeppelin for the first time. Completely mesmerized by Jimmy Page’s seductive guitar riffs, Ali quit her piano lessons to pick up the guitar.

Now based in Los Angeles, Ali unleashes sultry, groove-filled songs upon live audiences, setting the stage ablaze with fiery guitar passages and soulful lyrics delivered by her powerhouse voice. She holds her own among the ranks of fierce female performing songwriters like ani difranco and formidable guitarists such as Jimmy Page. Music Connection magazine describes her as “earthy, natural, real and loaded with talent…a singer/songwriter with something to say… a gifted artist who brings insight and intelligence to her art.” When asked about her music and stage presence, fans simply say “badass.”

Ali’s songs have been featured in numerous films and hit shows like Sex and the City, Dawson’s Creek and iCarly. She’s toured Australia, Japan and beyond, provided backing vocals for Neil Young, and shared the stage with songwriting legend Paul Williams as his featured vocalist. Also a published author, Ali penned Guitar for Girls (Hal Leonard), an exceptional guitar method book & CD brimming with advice for aspiring female musicians, as well as encouraging quotes and remarkable songs from female songwriters in all genres.

Ali's fourth full-length album, released by Red Parlor Records, is a collection of songs embodying the strength and sense of humor necessary to thrive as a woman in the 21st century. Cheeky songs like “I Love My Pussy.cat” and “Thank God For Birth Control” tap into her natural sass, while others, including “You Get What You Settle For” and “Better Man,” are chock full of an older sister’s tough love and the wisdom Ali has gained as she’s evolved as an artist and a woman.

https://www.standingoproject.com/artist/ali-handal/ 

http://alihandal.com 

The STANDING 'O' PROJECT is about fair trade music streaming--excellent musicians and exceptional fans taking over the music business. You're invited to find good, new, non-commercial music in a venue that lets musicians have an actual revenue stream. Come and connect with artists on a whole new level. Support musicians with an unheard of 50/50 split of proceeds. And gain access to rare music, video and interview content. You can be part of this revolutionary community and matter to the music at www.standingoproject.com

 

Direct download: Ali_Handal_Podcast.mp3
Category:general -- posted at: 8:00am MDT

Our guest this week on the Art of the Song Coffee Break is Austin-based band Band of Heathens who just released their album Duende.

Duende, the title of The Band of Heathens’ fifth studio album (and eighth overall), marks their tenth anniversary as a group, and it certainly applies to its overall theme about the collective search for connection and communion in a technology-fueled world increasingly splintered, distracted and lonely. As band co-founder Ed Jurdi, who first learned of the term, explains, “It’s the essence of the artist,” or as partner Gordy Quist says, “It’s a word we don’t have an equivalent for in English, Artistically, that’s where we tried to set the bar, to do what this band does best.”

Indeed, Duende lives up to those high ideals, a stylistically diverse effort that takes a leap beyond their last, more acoustic, introspective effort, 2013’s Sunday Morning Record, with an eclectic batch of material that shows where The Band of Heathens has been, but more importantly, where they are going.

There are high-energy rockers like the Keith Richards-Chuck Berry guitars and barrelhouse piano in “Trouble Came Early” as well as the Grateful Dead-by-way-of J.J. Cale Oklahoma boogie in “Keys to the Kingdom,” The Band-meets-New Orleans honky-tonk blues of “Sugar Queen,” the British Invasion harmonies laced through “Deep Is Love,” the south-of-the-border flavor of “Road Dust Wheels” and the New Riders pedal steel country twang of “Green Grass of California,” an ode to the more potent strains of sensimilla on the dispensary shelf and a fervent plea to “legalize it.” Duende also touches on some of The Band of Heathens’ favorite topics, from the sacrifices of a life lived on the road (“All I’m Asking”) to the limits of materialism (“Keys to the Kingdom”), social media absorption (“Cracking the Code”), and a moving depiction of Mexican immigration in an age of increased discrimination (“Road Dust Wheels”).

 

https://www.bandofheathens.com

https://www.standingoproject.com/interview/band-of-heathens-podcast/

The STANDING 'O' PROJECT is about fair trade music streaming--excellent musicians and exceptional fans taking over the music business. You're invited to find good, new, non-commercial music in a venue that lets musicians have an actual revenue stream. Come and connect with artists on a whole new level. Support musicians with an unheard of 50/50 split of proceeds. And gain access to rare music, video and interview content. You can be part of this revolutionary community and matter to the music at www.standingoproject.com

 

Direct download: Band_of_Heathens_Podcast.mp3
Category:general -- posted at: 5:19pm MDT

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